Thursday, December 9, 2010

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language design in the process

The language in the "process" can be characterized with factual and accurate, sober and precise. Kafka preferred a short, cool, innocent and poor word-language, which is also referred to as "office style". Everyday expressions, slang terms, or acting too emotional descriptions are largely missing. Kafka consistently used the language material: factual expression and clearly constructed sentences. "Every word, every linguistic coincidence, every metaphor, every picture, every expression to assume an independent Importance. The language makes it easier to take literally and in spite of the greater abstraction of tangible and concrete by the deep sense ...". This is the double meaning of individual words mean that you can literally see or abstract. The meaning in Kafka's style is that nothing is quite as it seems. For example, in the emerging Roman court on the one hand, real and unreal on the other side.
Kafka's writing style has been described as Kafkaesque. "A subject is to bring the horror, fear, alienation and failure to express. It evokes the idea of being exposed to an impenetrable, meaningless Fate and recalls terror, guilt and despair, to the threat of man by bureaucratic organizations and anonymous power structures that make him feel his insignificance and powerlessness. "
" literature was for Kafka a chance to escape and the language a vehicle to escape the area of the father .... Especially in the "process" of the battle for the accurate, pure and perfect language is crucial. "




my opinion fits the language in terms of subject matter, very well to the novel. Adjectives such as cool, factual, indifferent or emotionless by the term "court" associated problems. The very language is crucial for understanding the situation and condition of Josef K.. By Kafka's writing is unemotional the reader the hopelessness and futility of the struggle, especially the main character to the court gives




As with Kafka, the language is kept very simple. It comes largely from without complicated sentence structures and without little-known foreign words.
is particularly striking distance-the factual description. Even in the most absurd scenes, the narrator is completely sober and is not dissipated.

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